Edgar Degas
French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
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Edgar Degas Two figures on the horseback oil painting


Two figures on the horseback
mk206 1860 ink and white gouache 25.4x19.2cm
Painting ID::  50025 		Edgar Degas
Two figures on the horseback
mk206 1860 ink and white gouache 25.4x19.2cm
   
   
     
Edgar Degas On the Racecourse oil painting


On the Racecourse
mk206 1860-2 detail oil on canvas 43x65.5cm
Painting ID::  50026 		Edgar Degas
On the Racecourse
mk206 1860-2 detail oil on canvas 43x65.5cm
   
   
     
Edgar Degas Princess Pauline de Metternich oil painting


Princess Pauline de Metternich
mk206 about 1865 London,National Gallery
Painting ID::  50027 		Edgar Degas
Princess Pauline de Metternich
mk206 about 1865 London,National Gallery
   
   
     
Edgar Degas Young Spartans Exercising oil painting


Young Spartans Exercising
mk206 about 1860 London,National Gallery
Painting ID::  50028 		Edgar Degas
Young Spartans Exercising
mk206 about 1860 London,National Gallery
   
   
     
Edgar Degas Young spartans oil painting


Young spartans
mk206 about 1860 Oil on canvas 97.4x140cm
Painting ID::  50029 		Edgar Degas
Young spartans
mk206 about 1860 Oil on canvas 97.4x140cm
   
   
     
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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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